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Live Review: Post Sex Nachos + Kids That Fly + Kid Sistr @ Aisle 5, Atlanta - April 16, 2026

  • 1 day ago
  • 4 min read
Two musicians perform energetically on stage. One sings into a mic, playing a black and white guitar, wearing a white shirt and cap. Red lighting.
Post Sex Nachos photo by Anna Daugherty

Aisle 5 was the place to be on April 16 as Kid Sistr, Post Sex Nachos, and Kids That Fly rolled through Atlanta on their co-headline run. The room had that perfect Little Five Points energy from the start, and the night moved naturally from one set to the next without ever feeling disconnected. Three different sounds, but all living in the same space, and the crowd stayed with it the whole way through.


Two performers on stage; one plays electric guitar energetically, hair flipping, and the other plays bass. Drum set labeled Kids. Vibrant lights.
Kid Sistr photo by Anna Daugherty

Kid Sistr opened the night and immediately set the tone with “Shit Show,” coming out with a ton of energy and personality. The all female trio stands out right away because all three members contribute vocally, building layered harmonies that give their songs a bigger sound than you expect from a three-piece.


“Blow Up Toy” was introduced as one for the angry women in the room, and “Guts” showed a more personal side with a slower build that pulled the crowd in before picking things back up. Their stage presence felt natural and confident, with small coordinated moments between the guitarist and bassist that added to the performance without feeling forced.


They kept things fun too. A cover of “Walk Like an Egyptian” had the crowd fully engaged, with the drummer stepping in on vocals and giving it their own spin. At one point, they mentioned Atlanta might be the best crowd of the tour and gave a shoutout to the family hosting them, which landed really well in the room.


“American Teenage Prophecy” brought a more emotional tone and gave a glimpse into what they have coming next, while “Boys in Skirts” added a playful, chaotic edge with a quick TikTok moment and a strong guitar solo. Even with a brief onstage adjustment mid-set, they didn’t lose momentum. They closed things out with the same energy they started with, leaving a strong first impression on the Atlanta crowd.


Band performing on stage with vibrant red-blue lighting. Three musicians play guitar and keyboards. Text on keyboard reads "The Big Bad is Coming."
Post Sex Nachos photo by Anna Daugherty

Post Sex Nachos followed and leaned into a smooth, groove-heavy set that felt effortless in the room. Opening with “SOS,” they settled into a rhythm that balanced laid-back indie pop with just enough funk to keep people moving. Tracks like “Supergirl” and “The Sound of You” carried that easy, melodic feel, while others added a little more edge with darker tones and extended guitar moments. The band’s chemistry was clear, especially with different members stepping in for harmonies and instrumental highlights throughout the set.


Post Sex Nachos - Sound of You

They connected with the crowd in a way that felt completely natural. At one point, they had the entire room stepping side to side and clapping along, turning the floor into something closer to a dance party. One of the standout moments came when the lead singer stepped away from the guitar and sat at the piano, asking the crowd for a “no judgment zone” before playing a more stripped-down section that hit in a different way. By the time they wrapped up with a longer singalong, the entire room was fully involved, making their set one of the most memorable of the night.


Band performing on stage with colorful lights. Two guitarists play energetically. Red drum kit features "Kids That Fly" logo. Mood is lively.
Kids That Fly photo by Anna Daugherty

Kids That Fly closed out the show, making it clear how much it meant to them to be playing Atlanta for the first time. Their set leaned into upbeat indie rock with a polished, feel-good energy that carried through from start to finish. Songs like “Girl Like You” and “West Coast Smile” had the crowd singing along, while the band kept things moving with claps, call-and-response moments, and constant interaction with the room.


They also brought in some fun visual moments, with the disco ball lighting up during songs like “Never Played the Fool,” adding to the atmosphere on stage. “I’m Okay” came with a quick story about being one of the first songs they wrote together at the University of Connecticut, giving a little insight into where the band started. The set kept building from there, closing with “Deadbeat City,” which had people dancing all the way to the back of the room. The quick encore, with the crowd immediately asking for one more, was the perfect way to wrap up the night and send everyone out on a high note.


This was a night that just worked. Each band brought their own style, but it all fit together in a way that felt natural from start to finish. Kid Sistr came out strong and set the pace, Post Sex Nachos found that sweet spot with the crowd, and Kids That Fly kept the energy up to close things out. Aisle 5 continues to be one of the best rooms in Atlanta for shows like this, and this lineup proved exactly why.


Tour poster for "Kids That Fly" and "Post Sex Nachos." Shows a boat under a large pink moon on a blue night sky. Tour dates listed.
Kids That Fly / Post Sex Nachos Spring 2026 Tour

Band Links


Kid Sistr – Instagram | Spotify


Post Sex Nachos – Website | Instagram | Spotify


Kids That Fly – Website | Instagram | Spotify




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